How to get to Carnegie Hall: Practice and Bring a Shovel!
In February the Duo played to a full house at Carnegie Hall’s Weill Recital Hall! It was a wonderful, thrilling, and hugely fulfilling experience and one we will always remember. We certainly won’t forget the 4 days beforehand either! If you’re interested in this nerve-wracking tale keep reading:
How do you get to Carnegie Hall? With practice, practice, practice, a lot of luck and a shovel.
On February 7th, along with our two kids, we fly to Nova Scotia for a concert that was to be a sort of pre-Carnegie Hall prep recital. The concert is to take place in Lunenburg at the beautiful, historic St. John’s Anglican Church as part of the St. Cecilia Series (a highly respected, long standing series), and they secured for us a CBC pickup and national broadcast. We purposely leave St John’s a day early knowing we would have more time to practice if we are away from our university and busy regular lives. After looking at the forecast, we decide to switch our rental car at the Halifax airport from a Fiat to an all-wheel drive Jeep Cherokee. We drive the hour and a half to Lunenburg; the day is beautiful, sunny, clear, but very cold. On February 7th the head of the NS series contacts us to say that the concert may need to be cancelled due to the impending winter storm. February 8th: sure enough, we are informed that the NS concert is cancelled because the storm has been upgraded to a severe and long lasting blizzard originating from the eastern seaboard. It’s being called the “storm of the century” by the media there. (Subtext thoughts: Oh NO! NYC! Panic!). We start to consider leaving immediately for NYC. Looking at flights, there was nothing available that would get us to NY before the storm hits. We contemplate flying to Toronto and then staying there until the storm leaves eastern US. No go: Toronto is socked in with a separate and also gigantic snow blast. We consider driving to Halifax and staying with family in order to be closer to the airport. After talking to Nancy’s brother we decide against it: there would be no piano to practice on. (He also put the thought of missing our Carnegie performance in perspective: “At least you’re still a good person and haven’t killed anyone………yet!”)
Many stress-filled hours later and after considering all possible options, we accept there is nothing we can do but hope that the blizzard will be over by the time of our scheduled United flight leaves at 1:00 pm on the 10th. We decide to park our car near the main road (on NS route 3), a ½ km down a hilly dirt road from the house where we are staying.
The evening of the 8th the blizzard hits. The winds are so fierce we can hardly sleep. On the 9th, we practice, listen to the weather reports, practice, worry, practice. It’s an emotional rollercoaster of psyching ourselves up for the concert and thinking about the ramifications if we don’t make it. All day we keep checking outside to see if the storm is letting up. The snow keeps coming: 20 cm… 30 cm…. 40 cm. The neighbour’s truck gets stuck on the dirt road. We go to bed on the 9th with the storm still going strong.
February 10th: we get up at 6 am so that we have lots of time to get to the airport. It’s still snowing but winds are now only gusting to about 60-80 km/hr. At 7 am the four of us, along with Nancy’s 87-year old father, trudge down the hill through drifts that go up over our hips. We drag our suitcases over the snow inside a push-me type shovel. At the bottom of the road we see incredibly that route 3 has been recently ploughed. The car, however, needs a path cleared in order for us to be able to reach to the road. Tim and Clara start frantically shoveling. At 7:23 a truck with a plough attachment happens by and digs us out. By 7:30 we’re on the road. The highways are snow covered and deserted except for a car coming the other direction every 10 miles or so. (We see three separate Aliant vans in the ditch. Guess they don’t budget for snow tires?) The drive, which normally takes one and a half hours, takes 3 hours.
At the United counter we learn the following: 1) our incoming flight is going to try to land (winds still quite strong for the small Bombardier aircraft so it might be diverted), and 2) if we don’t go out on this flight, there is NO WAY to get to NYC before Feb 11th. All flights, all airlines, with any and all conceivable rerouting are booked for 3 days at least. We watch the incoming flight’s progress for three hours. Miraculously, unbelievably, it lands. Our flight is the first flight for 2 days to leave for New York from Halifax.
Welcome to our New Website!
We’re just days away from wrapping up the Beethoven album of all 10 sonatas for violin and piano! It’s been an exciting, wonderful, daunting, humbling, massive, incredibly enriching project, which began in June 2011 with the first of three 3-day sessions at the Glenn Gould Studio in Toronto. (Of course, learning and performing all the sonatas together started considerably earlier!). Beethoven’s genius is truly astounding – in his mastery of the violin and piano sonata genre and his understanding of the instruments, in the way his style evolved during the course of these works and, of course, in the sheer beauty, drama, and intensity of his music. We really felt his enormous presence in his music reaching across the centuries; in fact, he’s been living in our house for years now (and boy, he is messy)!!
We are very grateful for the support during this long process of our two encouraging children, wonderful parents, friends, students, Memorial University and the NL Arts Council. We also want to thank David Jaeger, our producer, editor and friend for his enthusiasm, expertise, warmth and good humour. We’ll be celebrating the album with a performance in Toronto at Gallery 345 on April 22. Hope you can join us!
Obviously, we’ll be performing Beethoven for a while now and some upcoming concerts — in Lunenburg, Nova Scotia on Feb. 9 (which will be broadcast nationally on CBC radio), Weill Recital Hall at Carnegie Hall in NYC on Feb 11th, and Regina’s St Cecilia series on March 23 will feature the “Kreutzer”. But we are also really focused now Bach’s Six Sonatas for violin and keyboard. These works illuminate what an incredible keyboard player and violinist Bach must have been. The physical flexibility and dexterity that these works require have expanded both our technical ease and fluidity. The music is also astounding in it’s pure emotional depth and expressiveness, without ever sounding sentimental or romantic. In October of 2012 we presented the first of 2 concerts where he present Sonatas 1, 3, and 5 alongside a Bach-inspired world premiere by Cliff Crawley. On March 3 “we’ll be Bach” to do the other 3 in St John’s. Then on April 24 and 26, for the Kitchener Waterloo Chamber Music Society, we’ll present all six sonatas alongside the Crawley with another new Bach influenced work, this time by Jocelyn Morlock (commissioned with the generous assistance of the Canada Council).